Leonardo da Vinci was the artist that painted the painting that is also known as “la Gioconda.” The Mona Lisa, also known as La Gioconda, is a painting created by the Italian artisan Leonardo da Vinci. It is often considered the single most important piece of art in the world.
La Gioconda is the Italian name for the painting, and it means “jocund” (which can also mean “cheerful” or “affable”) or, more literally, “the jocund one.”
This name is a pun on the sitter’s married name, Giocondo, and refers to the feminine form of the name. The model, Lisa del Giocondo, was the spouse of aristocratic Florentine silk dealer Francesco del Giocondo.
It is said that the artwork was shipped out to them for their new house to congratulate them on the upcoming birth of their subsequent kid.
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The image of the Mona Lisa, also known as La Gioconda (La Joconde), created in the 16th century by Leonardo da Vinci and painted in oil on a panel made of poplar, has been the topic of a significant amount of conjecture.
It has been suggested for a significant amount of time that following Leonardo’s passing, the size of the painting was diminished by removing sections of the panel on both the left and right sides.
The earliest reproductions display the figure with columns on both sides of it. The only parts of the bases that can be seen in the original are their rims.
However, there are other art historians who today contend that the painting has not been changed at all and that the copyists were the ones who added the columns that are shown in the copies. One of these historians is named Martin Kemp.
This latter opinion was supported during 2004 and 2005 when an international team of 39 professionals did the most in-depth scientific analysis of the Mona Lisa that had ever been conducted.
A “reserve” was found underneath the frame (the current one was attached to the Mona Lisa in 2004), and it encircled all four of the panel’s edges. This discovery was made in 2004.
An area of bare wood surrounds the piece of the panel that has been gessoed and painted called a reserve.
The existence of a raised edge still presents around the gesso, which is the result of build-up from the edge of brush strokes at the edge of the gesso area, is evidence that this is a natural reserve and not the result of removing the gesso or the paint.
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This shows that the reserve was not created by removing the gesso or the paint.
We know that in the 1906 framing, the frame was trimmed, not the picture, so it must have been earlier). However, at no point has any of Leonardo’s actual paint been trimmed.
The reserve area, which may have originally been as much as 20 mm (0.79 in) in size, now appears to have been trimmed at some point, probably to fit a frame.
Therefore, the columns that can be seen in early copies of the Mona Lisa must have been invented by the artists who created those copies, or they must be reproductions of another (unknown) studio version of the Mona Lisa.
List Of Equipment Used For This Drawing
- For Outline: Black Pencil and Marker – Click Here For Pencils | Click Here For Markers
- For Coloring: Colored Pencils and Colored Markers – Click Here For Colored Pencils | Click Here For Colored Markers
- Drawing Paper and Sketchbook: Mixed Media Sketchbook – Click Here For Sketchbook
- Electric Pencil Sharpener – Click Here For Sharpeners
- Drawing Combo – Click Here To Buy
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